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“Boxed In” Report: Streamers Hire More Women Behind the Scenes than Broadcast, WOC Characters Remain Underrepresented

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Now in its twenty fifth yr, the newest “Boxed In” report reveals that streaming platforms have but once more eclipsed their broadcast TV competitors with the illustration of girls on tv. The examine, led by Dr. Martha Lauzen of San Diego State College, discovered that streamers employed extra ladies than broadcast TV networks in each on-screen and off-screen roles throughout the 2021-2022 season. 

With ladies making up 50 % of main characters on streaming companies in comparison with broadcast TV’s 48 %, that is the fourth yr that streamers have surpassed their broadcast counterparts in representing ladies on the small display screen. The report reveals, nonetheless, that girls of coloration stay underrepresented on display screen: whereas streaming packages featured extra Asian and Asian American ladies in main roles (15 %) than TV networks (10 %), broadcast packages had the next proportion of Black (28 %) and Latina (7 %) ladies in main roles than streaming packages (21 % and three %, respectively). 

The “Boxed In” examine measures how ladies are faring in authentic U.S. TV packages on each streaming and broadcast community platforms. Carried out from September 2021 to Could 2022, this yr’s version centered on what number of ladies had been employed for key behind-the-scenes positions and monitored the on-screen illustration of girls in drama, comedy, and actuality TV collection.

The examine examined over 3,000 characters and three,800 credit from randomly chosen episodes of prime-time collection on broadcast networks together with ABC, CBS, NBC, FOX, and the CW, in addition to collection from streaming companies together with Amazon Prime, Apple TV+, Disney+, HBO Max, Hulu, Netflix, Paramount+, and Peacock.

In response to the report, the tv trade, irrespective of the platform, continues to discriminate towards getting older ladies on display screen. The share of main ladies characters getting older from their 30s to 40s suffered a steep decline on broadcast TV, dropping from 42 % of their 30s to fifteen % of their 40s. Likewise, the proportion of main ladies characters on streaming packages fell from 33 % of their 30s to 14 % of their 40s. The examine additionally discovered that girls over 60 proceed to be dramatically underrepresented on TV, comprising simply 3 % of main characters on each broadcast and streaming packages. 

Notably, the proportion of girls working in key behind-the-scenes positions for streamers has reached a latest historic excessive with 37 % – a lift of 4 proportion factors from final yr’s figures. The identical metric for broadcast networks, nonetheless, has remained the identical since 2020-2021 at 31 % of girls working as creators, administrators, writers, government producers, producers, editors, and administrators of images. Total, each streaming and broadcast packages employed comparatively low numbers of girls in key off-camera roles: as solely 14 % of the packages employed 11 or extra ladies within the roles thought-about, whereas 67 % employed 11 or extra males.

The examine additionally discovered that streaming packages employed considerably extra ladies administrators than broadcast packages, boasting 29 % in comparison with 18 %. The identical could possibly be mentioned for girls government producers, with streamers hiring 38 % and broadcast networks hiring 29 %. 

“On broadcast and streaming platforms, packages with at the very least one lady creator employed considerably increased percentages of girls in different key behind-the-scenes roles than packages with solely male creators,” the report particulars. “For instance, when a program had at the very least one lady creator, ladies comprised 33% of administrators. On packages with no ladies creators, ladies accounted for 18% of administrators.” 

The report additionally factors out that 92 % of each broadcast and streaming packages had no had no ladies administrators of images; 79 % had no ladies administrators; 72 % had no ladies editors; 71 % had no ladies creators; and 65 % had no ladies writers on their groups.

Highlights from “Boxed In: Ladies On Display and Behind the Scenes on Broadcast and Streaming Tv in 2021-22” are under. Learn the total report right here.


  • In 2021-22, packages on streaming companies featured a barely increased proportion of feminine characters in talking roles (47%) than packages on the printed networks (45%). For streaming packages, this represents a rise of two proportion factors from 45% in 2020-21, and a latest historic excessive. It represents no change for broadcast packages 
  • Applications on streaming companies featured a barely increased proportion of main feminine characters than packages on broadcast networks. Females represented 50% of main characters on streaming packages versus 48% on broadcast community packages. This represents a decline of two proportion factors from a excessive of 52% in 2020-21 for streaming packages, and a rise of three proportion factors from 45% for broadcast packages, and a latest historic excessive.
  • Feminine characters proceed to expertise a steep decline in numbers as they age from their 30s into their 40s. On broadcast community packages, the proportion of main feminine characters plummeted from 42% of their 30s to fifteen% of their 40s. Equally, on streaming packages the proportion of main females dropped from 33% of their 30s to 14% of their 40s. The patterns for feminine characters in talking roles had been related. 
  • Ladies 60 and over proceed to be dramatically underrepresented. Females comprised simply 3% of main feminine characters 60 and over on broadcast packages and three% on streaming packages. 
  • Broadcast community packages featured the next proportion of Black feminine characters in main roles than streaming packages. On broadcast community packages, the proportion of Black feminine characters in main roles elevated from 22% in 2020-21 to twenty-eight% in 2021-22. On streaming companies, the proportion of main Black females declined from 22% in 2020-21 to 21% in 2021-22. 
  • Broadcast community packages featured the next proportion of Latina characters in main roles than streaming packages. On broadcast community packages, Latinas comprised 7% of main feminine characters, down 1 proportion level from 8% in 2020-21. On streaming packages, Latinas accounted for 3% of main females, down 2 proportion factors from 5% in 2020-21.
  • Streaming packages featured the next proportion of Asian and Asian American feminine characters in main roles than broadcast packages. On broadcast community packages, Asian and Asian American females comprised 10% of main feminine characters, up 2 proportion factors from 8% in 2020-21. On streaming packages, Asian and Asian Individuals accounted for 15% of main females, up 4 proportion factors from 11% in 2020-21. 
  • Whereas the proportion of girls working in key behind-the-scenes roles elevated on streaming packages in 2021-22, the proportion engaged on broadcast packages remained the identical. Ladies comprised 37% of creators, administrators, writers, government producers, producers, editors, and administrators of images engaged on streaming packages, a rise of 4 proportion factors from 33% in 2020-21 and a latest historic excessive. The share of behind-the-scenes ladies engaged on broadcast packages remained the identical at 31%.
  • The entire packages thought-about (broadcast and streaming) employed comparatively low numbers of girls in key behind-the-scenes roles. Solely 14% of the packages employed 11 or extra ladies within the roles thought-about. In distinction, 67% employed 11 or extra males. 
  • Whereas the proportion of girls creators rebounded on broadcast networks in 2021-22, their numbers remained stagnant on streaming companies. The share of creators on broadcast community packages elevated by 7 proportion factors to 29%, whereas the variety of ladies creators remained stagnant on streaming packages at 30%.
  • Streaming packages employed considerably increased percentages of girls as administrators (29%) than broadcast packages (18%). 
  • Streaming packages employed considerably increased percentages of girls as government producers (38%) than broadcast packages (29%). 
  • On broadcast and streaming platforms, packages with at the very least 1 lady creator employed considerably increased percentages of girls in different key behind-the-scenes roles than packages with solely male creators. For instance, when a program had at the very least 1 lady creator, ladies comprised 33% of administrators. On packages with no ladies creators, ladies accounted for 18% of administrators. 
  • In 2021-22, 92% of broadcast and streaming packages had no ladies administrators of images, 79% had no ladies had no ladies administrators, 72% had no ladies editors, 71% had no ladies creators, and 65% had no ladies writers.

Supply: Women And Hollywood

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